1/22/2024 0 Comments X touch one cubase![]() Also, the touch sensitivity can be adapted to your own needs. For example, the speed of the faders can be set on a scale from 1-7. Presonus receives extra praise for the ability to adjust the FaderPort 8. It doesn't work in Ableton and Sonar either, but it does in Logic and Studio One. Pressing the All button only opens the Channel Settings window. The fact that the “Mix Management” functions, with the help of which you can adjust the mixer view of all channels on virtual instruments, buses, or VCAs, does not work under Cubase is extremely unfortunate. Compared to the competition, the motorized faders are very quiet. The optics and the clarity of the controls, thanks to the backlit soft buttons, are also very good. With it, you can physically control a large number of parameters in the DAW. The Presonus Faderport 8 is a very good DAW controller. If you need options for a specific DAW, refer to our top picks for: With this in mind, let's take a closer look at the best control surfaces you can buy right now. As long as it helps you “control” the DAW, we consider it to be a “control surface”. It includes everything from MIDI controllers and mixers to dedicated DAW controllers. Keep in mind that the definition of a “control surface” itself is hazy. Fine changes and automations, always hard to do with the mouse, feel tighter and more intuitive when you do it with a control surface. Most importantly, a control surface brings back, well, control to your production. Panning feels more natural when you have a rotary knob to do it. It adds a layer of intuitiveness to your production that a keyboard or mouse or even a MIDI controller can't offer. There comes a point in every producer's journey when intuitiveness and speed trumps everything else.Īnd at that point, you should invest in a control surface.Ī control surface essentially brings your DAW out of your computer screen and onto your desk. Using a complicated multi-key keyboard shortcut to switch tracks isn't the same as tapping a single button to do the same. Dragging the mouse does not feel the same way as dragging a fader to control the volume. While these can suffice, they're hardly intuitive. From switching tracks to controlling the volume, so much of it happens with the mouse and, sometimes, the keyboard. I see I'm going to have to dive into making a working set of scripts for the X-Touch One.As a producer, so much of your time is spent fiddling around with your DAW. It would be nice to find some documentation for the Reason Remote Maps and Lua Codecs. I have remapped the CYCLE button to CLICK, now it properly toggles CYCLE I have remapped the CLICK button to SOLO, now it properly toggles CLICK You can remap the functions of nearly all of the controls. But most exciting is the MCU User profile. There are even MIDI CC and MIDI Note profiles. ![]() Standard MCU, Ableton Live, Logic, Studio One, Reaper, Cubase, Protools, HUI modes, etc. With the release of the X-Touch One, X-Touch now has multiple MCU Emulations. I'm aware that there are a set of replacement Remote scripts by that 'improve' the compatibility. Very odd behaviors when you connect them and start moving controllers. ![]() I'm aware that Propellerhead has not completely made Reason 10 Mackie Control Universal friendly. ![]() I use them for XAir control, DAW control, etc. I've been a fan of the Behringer X-Touch controllers for quite some time.
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